Alban Nuhiu

Tinariwen – LIVE Sweden 2012

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Newen Afrobeat feat. Seun Kuti & Cheick Tidiane Seck – Opposite People (Fela Kuti)


After participating in the 2015 Felabration festival, which is held in Lagos, Nigeria, and have shared with the Kuti family, Newen Afrobeat meets Seun in Chile, in February 2016, under the Womad festival.
This session was recorded during those days in La Makinita, playing an energetic version of the song Opposite People, with the collaboration of Cheick Tidiane and some musicians from the legendary Egypt 80 band.

FEATURED GUESTS
Seun Kuti – Lead Vocals
Cheick Tidiane Seck – Keyboards

NEWEN AFROBEAT
Francisca Riquelme – Backing vocals
Francisca Castro – Backing vocals
Macarena Rozic – Backing vocals
Enrique Camhi – Trumpet
Mauricio Sánchez – Trumpet
Klaus Brantmayer – Alto sax
Marcelo Morales – Tenor sax
Cristóbal Dahm – Baritone sax
Martín Concha – Electric guitar
Sebastián Crooker – Electric guitar
Alvaro Quintas – Bass
Tomás Pavez – Percussions
Alejandro ‘El Galita’ Orellana – Congas
Roberto Gevert – Drums
special Feat.
Felipe ‘Mr F’ Echavarría – Keyboards

EGYPT 80 FEAT.
Okon Iyamba – Shekere
Oladimeji Akinyele – Trumpet
Samuel Ojo David – Tenor saxophone
Adebowale Adewunmi – Baritone saxophone

Huun‐Huur‐Tu – Full Performance (Live on KEXP)


Huun-Huur-Tu are a music group from Tuva, a republic of Russia situated on the Mongolia–Russia border.

The most distinctive characteristic of Huun-Huur-Tu’s music is throat singing, in which the singers sing both the note (drone) and the drone’s overtone(s), thus producing two or three notes simultaneously. The overtone may sound like a flute, whistle or bird, but is solely a product of the human voice.

The group primarily use native Tuvan instruments such as the igil, khomus (Tuvan jaw harp), doshpuluur, and dünggür (shaman drum). However, in recent years, the group have begun to selectively incorporate Western instruments, such as the guitar. While the thrust of Huun-Huur-Tu’s music is fundamentally indigenous Tuvan folk music, they also experiment with incorporating not only Western instruments, but electronic music as well.

Songs:
Chyraa-Khoor (Yellow Pacer)
Konguroi (Sixty Horses in My Herd)
Odugen Taiga
Aa-Shuu Dekei-oo

tUne-yArDs – NPR Music Tiny Desk Concert


Tune-Yards (stylized as tUnE-yArDs) is the music project of New England native Merrill Garbus. Garbus’s music draws from an eclectic variety of sources and utilizes elements such as loop pedals, ukulele, vocals, and lo-fi percussion, in addition to electric bass played by Nate Brenner. Tune-Yards’ 2011 album Whokill was ranked the number one album of that year in The Village Voice’s annual Pazz and Jop critic’s poll.

Garbus was born in 1979 and was raised in New York City and in New Canaan, Connecticut. She attended Smith College. She was a puppeteer for the Sandglass Theater in Vermont and lived in Montreal where she played ukulele in the band Sister Suvi with guitarist Patrick Gregoire and drummer Nico Dann. Merrill’s sister Ruth Garbus is also a musician who has played solo and in the band Happy Birthday. After releasing her first Tune-Yards album in 2008, she moved to Oakland, California, where her partner in Tune-Yards, Nate Brenner, also lives.

The first Tune-Yards album, Bird-Brains (stylized as BiRd-BrAiNs) was originally self-released by Garbus on recycled cassette tape. It was recorded using only a handheld voice recorder. A limited edition vinyl was released in June 2009, via the Portland-based imprint Marriage Records. In July 2009, it was announced that Tune-Yards had signed to 4AD, and a limited edition pressing of Bird-Brains was released on August 17, 2009. A full worldwide release followed on November 16, 2009 (and November 17 in North America). The autumn 2009 pressing was remastered at Abbey Road Studios by Christian Wright, and includes two new bonus tracks: “Want Me To” and “Real Live Flesh.”

A second album, Whokill (stylized as w h o k i l l), was released on April 19, 2011. A single from it, “Bizness”, came out in February 2011. It was produced by Garbus and engineered by Eli Crews at New, Improved Studios in Oakland, California. Applying the live approach to Garbus’ studio work for the first time, Garbus works with bass player Nate Brenner, who co-wrote some of the album’s songs. Comparing the act to Sonic Youth, Frontier Psychiatrist said, “if Bird-Brains was Garbus’ Evol, a record bursting with musical ideas that attempted to subvert the notion of song, who kill is Garbus’ Sister, a record that embraces the traditional pop song as a vehicle to convey those ideas.” The album as well as singles “Bizness” and “Gangsta” received mention on many top 2011 album and song lists, including Time, Rolling Stone, Spin, and the New York Times. In early 2012, the Village Voice’s annual “Pazz and Jop” poll of critics named Whokill the No. 1 album of 2011. The song “Fiya” is featured on a 2010 commercial for the Blackberry Torch, while the song “Gangsta” has been used in the television shows Orange Is the New Black, Weeds and The Good Wife and the song “Bizness” was used in Season 3 of Transparent.

Garbus started recording material for her third LP during the latter half of 2013, with a working title of Sink-o. A May 6, 2014 release date was later announced with the title Nikki Nack.

A fourth album was released on January 19, 2018 called I Can Feel You Creep Into My Private Life.

Sudan Archives – Come Meh Way & Wake Up


Violinist and vocalist, Sudan Archives writes, plays, and produces her own music. Drawing inspiration from Sudanese fiddlers, she is self-taught on the violin, and her unique songs also fold in elements of R&B, and experimental electronic music.

Sudan Archives grew up in Cincinnati, Ohio, where she “messed around with instruments in the house” and took up violin in the fourth grade, eventually teaching herself how to play the instrument by ear. When she discovered the violin playing style of Northeast Africa, her eyes opened to the possibilities of the instrument. “The way they played it was different from classical music. I resonated with the style, and I was like, ‘Maybe I can use this style with electronic music,'” she says.

This fusing of folk music and electronic production was the turning point for Sudan. “I started mixing my violin into beats,” she says, “It wasn’t complicated — I’d just sing straight into the iPad.” She honed her at-home style after moving to Los Angeles aged 19 to study music technology, and after a chance encounter at a Low End Theory party with Stones Throw A&R and Leaving Records owner Matthewdavid, she signed with Stones Throw. At the very start of her musical career, she’s already won plaudits from the likes of the New York Times and Pitchfork, and played live at experimental festival Moogfest.

Her EP Sudan Archives is an extraordinary debut statement from a singular artist. Over six tracks, Sudan Archives layers harmonies, violin figures and ethereal vocals, grounding them all with the hip-hop beats.

Kimmo Pohjonen & Ismo Alanko – Northern Lowland


Ismo Alanko and Kimmo Pohjonen team up for the new project pohjonen alanko. The focus is vocal experimentation and new sonic adventures with effects, samples and instrumentation. Third member of the team is sound designer and manipulator Tuomas Norvio.
Pohjonen Alanko release new music video by director and scriptwriter Klaus Welp. In the short film, three mysterious characters travel with moving and self-luminated platforms through the empty night of Helsinki. Primitive and almost non-sounding music carries the men along the empty streets between uninhabited blocks.

Datashock – Her mit dem Kelch, (das) hier muss es sein


Datashock is a ritualistic “neo-hippie-spook-folk” collective from Saarlouis, Germany. There is no constant lineup, as the group is joined by new members every now and then.

Their music is defined almost entirely by psychedelic multidimensional live-improvisations stemming from 70ies krautrock influenced by contemporary electronic music and psychotic dronescapes. As a result we find complex layers of sultry muffled vibrations met by heavy waves of electronic sound experiments and strangely disfigured images. Here and there reality-distorting bits of whispers and cut-up voices are woven into the texture of these alien patterns of sound. Every step here is like nervously stumbling through the swampy ground of a jungle. Here every look is like a secret glimpse at a hidden ghost-train world.

If, however, you would want to use other bands from past and present as a reference, names like Tangerine Dream or Sunburned Hand of the Man might come to mind. Datashock’s music has a similarly warm and organic feel to it. Labels like “spooky psychedelic-post-krautfolk” are at the same time graphic description as well as missing the point altogether.

During the band’s four-year history one of the highlights has been this year’s (2007) release of a live-collaboration picture-LP with Nadja, also known as Aidan Baker and Leah Buckareff.

After several releases on floppy disk (this is how the collective started to deep-freeze their sound experiments in 2003), tape, CD-R and Vinyl, Datashock released an LP on Textile Records (France) in January 2008. Furthermore, an LP-release on the legendary label Qbico Records (Italy) was scheduled for spring 2008. 2010’s Para Dieswarts Dull’C60 available on Colour Ride now.

Founding member Pascal Hector is also running Meudiademorte Recs, known for releases of noise and improv music by artists such as Thurston Moore (Sonic Youth), Sunburned Hand of the Man, Vanishing Voice and many others.

Ulf Schütte also plays in Aosuke, works as a solo artist as Shivers and Diamond Lemonade and is running the Tape Tektoniks label. Together with Pascal Hector he plays in Tavatare and with Marcel Türkowsky in Cones.

The collective’s newest member is Marcel Türkowsky who besides his work as a solo artist is involved in Cones, UUHUU, Wooden Veil, Leo Mars and Kinn.