Banny Price made his living as a singer/guitarist in and around Shreveport, Louisiana where he was born. Although nothing was released, his first recording sessions were for Myra Smith’s local Ram records in the early 60s.
In 1963/4 Price went to the famous Robin Hood Brians Studios, just across the border into Tyler, TX for a recording session under producer Ken Demary. The tracks Price cut included the fine deep soul track “There Goes The Girl” and the exciting horn led instrumental “Monkey See – Monkey Do” which has become a firm favourite with R & B dancers all over the world. These tracks were first issued as Jewel 733 by Stan Lewis, the main music man in Shreveport, in October 1964. And although the 45 sank without trace, it didn’t stop Price making another trip to Tyler, TX this time with Dale “Suzie-Q” Hawkins. The top side of Jewel 749, which appeared the following year, was a version of the B B King song “You Know I Love You” but the flip, “You Love Me Pretty Baby” is the track that everybody wants to own. This is a rousing piece of minor keyed R&B with Price’s guitar showing some excellent Otis Rush styled licks and his tough vocals hitting just the right spot.
Sinkane opened its Tiny Desk Concert with a song that has been a bit of an anthem for me lately. “U’Huh” contains the Arabic phrase “kulu shi tamaam,” which translates to “everything’s great — it’s all going to be all right.”
Sinkane is the music of Ahmed Gallab — and such hopeful music it is. He grew up in London and has lived in Sudan and in Ohio and, these days, New York City. His band reflects his own love for music from around the world; you can hear a great New York jazz band in the rhythms of Sinkane, but you can also hear the influence of Bob Marley and the hypnotic repetition of Sudanese desert sounds.
October 27, 2015 by BOB BOILEN
At first, I couldn’t pull my attention away from irrepressible singer Kam Franklin, whose down-to-earth but uplifting presence put a huge smile on my face. But as The Suffers’ set progressed, I became increasingly enchanted with the band, which was part Archie Bell & The Drells and part James Brown, with a touch of New Orleans and even Jamaican reggae.
It was a perfect mix of power and delicacy, as the band held back at moments only to steamroll me when my guard was down. The group has only two EPs, with an album on the way, and trust me: 2016 will be The Suffers’ year. Look for the band on far bigger stages soon enough.
The Young Senators are an exemplary progenitor of DC’s hyper-local, hyper-celebrated Go-Go scene.
Peers of Chuck Brown’s Black Heat and Soul Searchers, the septet was led by energetic singer and conga
player Jimi Dougans, and featured saxophonist Leroy Flemming, guitarist Calvin Charisty, keyboardist Frank Hooker, drummer James Johnson, bassist Wornell Jones, and trumpeter Phillip Guilbeau. The band issued two singles on the the tiny Innovation label, before joining up with Motown’s Eddie Kendricks in 1972 for his sophomore effort People…Hold On. The Young Senators’ fuzzed-out brand of psychedelic soul is often bootlegged, but finds it first legitimate release in 45 years via these remastered sides.