Astrud Gilberto was born Astrud Evangelina Weinert, the daughter of a Brazilian mother and a German father, in the state of Bahia, Brazil. She was raised in Rio de Janeiro. She married João Gilberto in 1959 and emigrated to the United States in 1963, residing in the U.S. from that time. Astrud and João divorced in the mid-1960s and she began a relationship with her musical partner, American jazz saxophone player Stan Getz.
She sang on two tracks on the influential 1963 album Getz/Gilberto featuring João Gilberto, Stan Getz, and Antônio Carlos Jobim, despite having never sung professionally before this recording. The 1964 single version of “The Girl from Ipanema”, taken from the 1963 album, omitted the Portuguese lyrics sung by João Gilberto, and established Astrud Gilberto as a Bossa Nova singer. It sold over one million copies and was awarded a gold disc. In 1964, Gilberto appeared in the films Get Yourself a College Girl and The Hanged Man. Her first solo album was The Astrud Gilberto Album (1965). Upon moving to the United States, she went on tour with Getz. Beginning as a singer of bossa nova and American jazz standards, Gilberto started to record her own compositions in the 1970s. She has recorded songs in Portuguese, English, Spanish, Italian, French, German, and Japanese.
In 1982, Gilberto’s son Marcelo joined her group, touring with her for more than a decade as bassist. In addition, he collaborated as co-producer of the albums Live in New York (1996) and Temperance (1997). Her son Gregory Lasorsa played guitar on the Temperance album on the song “Beautiful You”, which features singer Michael Franks.
Gilberto received the Latin Jazz USA Award for Lifetime Achievement in 1992, and was inducted into the International Latin Music Hall of Fame in 2002. In 1996, she contributed to the AIDS benefit album Red Hot + Rio produced by the Red Hot Organization, performing the song “Desafinado” (Portuguese for “slightly out of tune”, or “off key”) along with George Michael. Although she did not officially retire, Gilberto announced in 2002, that she was taking “indefinite time off” from public performances.
Her original recording of “Fly Me to the Moon” was edited as a duet using a recording of the same song by Frank Sinatra for the soundtrack of Down with Love (2003). Her recording “Who Can I Turn To?” was sampled by The Black Eyed Peas in the song “Like That” from the album Monkey Business. Her vocals on “Berimbau” were sampled by Cut Chemist in his song “The Garden”. Her recording of “Once I Loved” was featured in the 2007 film Juno. The “Astrud” track on Basia Trzetrzelewska’s 1987 album, Time and Tide, is a tribute to Gilberto.
Gilberto is an ardent advocate of animal rights.
Gilberto was born in New York City to Brazilian parents, bossa nova pioneer João Gilberto and singer Miúcha, who were briefly living in the city at the time of her birth. She often traveled with her father when he recorded albums in different countries; she lived in Mexico at age three and moved to Rio de Janeiro at age five. Gilberto’s parents separated when she was seven, and she spent her time between Rio de Janeiro with her mother and New York with her father.
Gilberto recalls that her childhood was “music nonstop”; when reflecting on her father’s influence, Gilberto states, “He taught me to be a perfectionist. But my mother taught me how to lose it. And you can hear it in my music today, I think.” She grew acquainted with popular artists such as Caetano Veloso, David Byrne, and Stan Getz, who often visited her father’s home to collaborate. She began singing with her mother at a young age and participated in professional musicals such as Saltimbancos and Pirlimpimpim. At the age of seven, she made her recording debut on her mother’s first solo album, Miúcha & Antônio Carlos Jobim (1977). Two years later, she performed at Carnegie Hall with her mother and Stan Getz.
lis & Tom is a bossa nova album recorded by Brazilian singer Elis Regina and singer/songwriter Antônio Carlos Jobim, released in 1974.
Recorded over a 16-day period at MGM Studios in Los Angeles, California, the album was an old wish of Elis, who always wanted to record a full album of Jobim’s songs with him. The dream finally came true in 1974, when Elis was celebrating her 10th anniversary as an artist of Philips Records. The label approved the project as a gift for her.
The Allmusic review by Thom Jurek awards the album 4.5 stars and states “This beautiful — and now legendary — recording date between iconic Brazilian vocalist Elis Regina and composer, conductor, and arranger Tom Jobim is widely regarded as one of the greatest Brazilian pop recordings.”
It was ranked 11th on Rolling Stone’s Top 100 Brazilian albums of all time.The album was inducted into the Latin Grammy Hall of Fame in 2007. On September 2012 it was voted by the audience of Radio Eldorado FM, of Estadao.com and of Caderno C2+Música (both the latter belong to newspaper O Estado de S. Paulo) as the fourth-best Brazilian album ever.
Stan Getz – Tenor sax
Joao Gilberto – Guitar, vocals
Antonio Carlos Jobim – Piano
Tommy Williams – Bass
Milton Banana – Drums
Astrud Gilberto – vocals
When talking about bossa nova, perhaps the signature pop music sound of Brazil, frequently the first name to come to one’s lips is that of Antonio Carlos Jobim. With songs like “The Girl From Ipanema” and “Desafindo,” Jobim pretty much set the standard for the creation of the bossa nova in the mid-’50s. However, as is often the case, others come along and take the genre in a new direction, reinventing through radical reinterpretation, be it lyrically, rhythmically, or in live performance, making the music theirs. And if Jobim gets credit for laying the foundation of bossa nova, then the genre was brilliantly reimagined (and, arguably, defined) by the singer/songwriter and guitarist João Gilberto. In his native country he is called O Mito (The Legend), a deserving nickname, for since he began recording in late ’50s Gilberto, with his signature soft, near-whispering croon, set a standard few have equaled.
Born in 1931 in Juazeiro in the northeastern state of Brazil known as Bahia, Gilberto seemed obsessed with music almost from the moment he emerged from the womb. His grandfather bought him his first guitar at age 14 (much to the dismay of João’s father). Within a year, the result of near constant practicing, he was the leader of a band made up of school friends. During this time Gilberto was absorbing the rhythmic subtlety of the Brazilian pop songs of the day, while also taking in the rich sounds of swing jazz (Duke Ellington and Tommy Dorsey), as well as the light opera singing of Jeanette MacDonald. At 18, Gilberto gave up on his small town life and headed to Bahia’s largest city, Salvador, to get a foothold in the music industry performing on live radio shows. Although he was given the opportunity to sing, instant stardom was not in the offing, but his brief appearances on the radio brought him to the attention of Antonio Maria, who wanted Gilberto to become the lead singer for the popular radio band Garotos da Lua (Boys From the Moon) and move to Rio de Janeiro.
Gloria Lynne (born Gloria Wilson; November 23, 1929 – October 15, 2013), also known as Gloria Alleyne, was an American jazz vocalist with a recording career spanning from 1958 to 2007.
Lynne was born in Harlem in 1929 to John and Mary Wilson, a gospel singer.She grew up in Harlem, and as a young girl, Lynne sang with the local African Methodist Episcopal Zion Church Choir. At the age of 15, she won first prize at the Amateur Night contest at the Apollo Theater. She shared the stage with contemporary night club vocal ensembles as well as with Ella Fitzgerald, she recorded as part of such groups as the Enchanters and the Dell-Tones, in the 1950s. She recorded as a soloist under her birth name, though most of her work was released under her stage name on the Everest and Fontana labels. In 1958, she was signed to Everest.
Although showing much promise early on, especially after TV appearances, including the Harry Belafonte Spectacular, her development suffered through poor management. Some unscrupulous recording ‘executives’ profited while she was left virtually penniless, saved by the fact that she was able to work steadily and earn her money from performances — a victim of unpaid royalties.
In the 1960s, she had several hits including “June Night”, “Love I Found You”, “I’m Glad There Is You”, 1964’s “I Wish You Love”, which became her signature song, and “You Don’t Have To Be a Tower of Strength”, her answer to Gene McDaniels’s “Tower of Strength” and a pop hit that proved how versatile she could be in the studio. After her time with Everest Records, she moved back to Fontana and recorded such albums as Soul Serenade, Love And A Woman, Where It’s At, and Here, There And Everywhere, demonstrating her versatility in jazz, RnB, soul and melodic pop.
During her earlier years on the road, Lynne shared bills with RnB, jazz, traditional pop music, and pop singers including Ray Charles, Billy Eckstine, Johnny Mathis and Ella Fitzgerald. TV specials include two with Harry Belafonte and duets with Billy Eckstine. As Lynne moved into jazz in her later career she performed with many jazz musicians, including Quincy Jones, Bobby Timmons, Philly Joe Jones, Harry “Sweets” Edison.
She wrote lyrics for “Watermelon Man” with Herbie Hancock, and “All Day Long” with Kenny Burrell. New York City proclaimed July 25, 1995 as “Gloria Lynne Day”.
In 1996, Lynne received the International Women of Jazz Award, and she was honored with a Pioneer Award by the Rhythm and Blues Foundation in 1997. Other awards and recognition include the National Treasure Award from the Seasoned Citizens Theatre Company (2003); induction into the National Black Sports and Entertainment Hall of Fame; Living Legend Award from the State of Pennsylvania (2007). On May 6, 2008, Lynne was presented with a special award for “Outstanding Achievement In Jazz”, at the New York MAC Awards. On October 22, 2010, she was honored at New York’s Schomburg Library, for her many contributions to the music industry and the world by Great Women In Music and its founder Roz Nixon. Roz Nixon Entertainment worked successfully with Lynne throughout her final years, producing, co-producing or participating in making the arrangements for Ms. Lynne’s appearances pertaining to her last concerts or significant events.
Edwin Leon Chamblee (24 February 1920 – 1 May 1999), known as Eddie “Long Gone” Chamblee, was an American tenor and alto saxophonist, and occasional vocalist, who played jazz and R&B.
He was born in Atlanta, Georgia, and grew up in Chicago where he began learning the saxophone at the age of 12. After leaving Wendell Phillips High School, he studied law at Chicago State University, playing in clubs in the evenings and at weekends. He played in US Army bands between 1941 and 1946. After leaving the army, he joined Miracle Records. He played on Sonny Thompson’s hit record “Long Gone” in 1948, and on its follow-up, “Late Freight”, credited to the Sonny Thompson Quintet featuring Eddie Chamblee. Both records reached no. 1 on the national Billboard R&B chart. Two follow-up records, “Blue Dreams” and “Back Street”, also made the R&B chart in 1949.
From 1947, he led his own band in Chicago clubs, as well as continuing to record with Thompson and on other sessions in Chicago, including The Four Blazes’ no. 1 R&B hit “Mary Jo” in 1952. In 1954 he joined Lionel Hampton’s band for two years, touring in Europe, before returning to lead his own group in Chicago. He accompanied both Amos Milburn and Lowell Fulson on some of their recordings, and then worked as accompanist to Dinah Washington on many of her successful recordings in the late 1950s and early 1960s. The two performed vocal duets in a style similar to that later adopted by Washington with Brook Benton, and were briefly married; he was her fifth husband. Chamblee also recorded for the Mercury and EmArcy labels, and with his own group in the early 1960s for the Roulette and Prestige labels.
In the 1970s he rejoined Hampton for tours of Europe, where he also played with Milt Buckner, and he recorded for the French Black & Blue label. He also performed with the Count Basie Orchestra in 1982, and from the 1980s until his death with the Harlem Blues and Jazz Band, as well as in clubs in New York City.
He died in New York in 1999 at the age of 79.